{"id":70,"date":"2022-04-06T16:11:40","date_gmt":"2022-04-06T16:11:40","guid":{"rendered":"https:\/\/www.organology.ams-net.org\/?page_id=70"},"modified":"2025-02-14T07:53:50","modified_gmt":"2025-02-14T07:53:50","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/www.organology.ams-net.org\/?page_id=70","title":{"rendered":"Bibliography"},"content":{"rendered":"\n

If you would like us to add a title to the bibliography, please submit it through the form at the bottom of the page.<\/em><\/strong><\/p>\n\n\n\n

Abbate, Carolyn. \u201cSound Object Lessons.\u201d Journal of the American Musicological Society<\/em> 69, no. 3 (2016): 793\u2013829.

Adelson, Robert. Erard: A Passion for the Piano <\/em>(Oxford: Oxford University Press, 2021).

\u2014\u2014\u2014. Erard: Empire of the Harp <\/em>(Mouzeil, France: Camac, 2022).<\/p>\n\n\n\n

\u2014\u2014\u2014. Erard, l\u2019invention de la harpe moderne 1811-2011.<\/em> Exhibition catalogue, Mus\u00e9e du Palais Lascaris, Nice (Editions Nice Mus\u00e9es, 2011).<\/p>\n\n\n\n

Adelson, Robert and Jacqueline Letzter. \u201c\u2018For a woman when she is young and beautiful\u2019: The Harp in Eighteenth-Century France.\u201d In Annette Kreutziger-Herr and Katrin Losleben, eds., History\/Herstory<\/em>. Andere Musikgeschichte(n) (K\u00f6ln\/Weimar: B\u00f6hlau Verlag, 2008), 314\u201335.<\/p>\n\n\n\n

Adelson, Robert, Alain Roudier, Jenny Nex, Laure Barthel, and Michel Foussard, eds. The History of the Erard Piano and Harp in Letters and Documents, 1785\u20131959<\/em>, 2 vols. (Cambridge: Cambridge University Press, 2015).<\/p>\n\n\n\n

Ahrens, Cameron. Valved Brass: The History of an Invention<\/em>. Translated by Steven Plank. Hillsdale, NY: Pendragon Press, 2008.<\/p>\n\n\n\n

Ames-Lewis, Francis, and Mary Rogers, eds. Concepts of Beauty in Renaissance Art<\/em>. Aldershot: Ashgate, 1998.<\/p>\n\n\n\n

Arlander, Annette, Bruce Barton, Melanie Dreyer-Lude, and Ben Spatz, eds. Performance as Research: Knowledge, Methods, Impact.<\/em> London: Routledge, 2017.<\/p>\n\n\n\n

Atlas, Allan. \u201cLadies and the Concertina in Victorian England: Some Notes on Manufacturers\u2019  Marketing Strategies.\u201d In Music Cultures in Sounds, Words and Images: Essays in Honor of Zdravko Bla\u017eekovi\u0107<\/em>, 223\u201346, edited by Antonio Baldassarre and Tatjana Markovi\u0107. Vienna: Hollitzer Verlag, 2018. [British music, gender]<\/p>\n\n\n\n

Badiarov, Dimitry. \u201cThe Violoncello, Viola da Spalla and Viola Pomposa in Theory and Practice.\u201d The Galpin Society Journal <\/em>60 (Apr., 2007): 121\u201345. [Performance practice]<\/p>\n\n\n\n

Baker, Geoff. \u201cLatin American Baroque: Performance as a Post-Colonial Act?\u201d Early Music <\/em>36  (2008): 441\u201348. <\/p>\n\n\n\n

Bates, Eliot. \u201cThe Social Life of Musical Instruments.\u201d Ethnomusicology<\/em> 56, no. 3 (2012): 363\u201395.<\/p>\n\n\n\n

\u2014\u2014\u2014. \u201cActor-Network Theory and Organology.\u201d Journal of the American Musical Instrument Society<\/em> 44 (2018): 41\u201351.<\/p>\n\n\n\n

Baumann, Dorothea. \u201cOrganology as Methodology to Find Realistic Elements: Musical Instruments in a Swiss Marriage Announcement and Glass Panels of the Sixteenth and Seventeenth Centuries.\u201d In Music Cultures in Sounds, Words and Images: Essays in Honor of Zdravko Bla\u017eekovi\u0107<\/em>, 753\u201368, edited by Antonio Baldassarre and Tatjana Markovi\u0107. Vienna: Hollitzer Verlag, 2018. <\/p>\n\n\n\n

Beauchamp, James W., ed. Analysis, Synthesis, and Perception of Musical Sounds: The Sound of Music<\/em>. New York: Springer International Publishing, 2007.<\/p>\n\n\n\n

Beghin, Tom. The Virtual Haydn: Paradox of a Twenty-First Century Keyboardist.<\/em> Chicago: University of Chicago Press, 2015.<\/p>\n\n\n\n

B\u00e9hague, Gerard, ed., Performance Practice: Ethnomusicological Perspectives<\/em>. Westport, CT: Greenwood Press, 1984. <\/p>\n\n\n\n

Belting, Hans. Florence and Baghdad: Renaissance Art and Arab Science<\/em>. Translated by Deborah Lucas Schneider. Cambridge: Harvard University Press, 2011.<\/p>\n\n\n\n

Berliner, Paul F. The Soul of Mbira: Music and Traditions of the Shona People of Zimbabwe<\/em>. Chicago: University of Chicago Press: 1981. <\/p>\n\n\n\n

Bigio, Robert. Readings in the History of the Flute: Monographs, Essays, Reviews, Letters, and Advertisements from Nineteenth-Century London<\/em>. London: Tony Bingham, 2006.<\/p>\n\n\n\n

Bijsterveld, Karin and Marten Schulp. \u201cBreaking into a World of Perfection: Innovation in Today\u2019s Classical Musical Instruments.\u201d Social Studies of Science <\/em>34, no. 5 (2004): 649\u201374.<\/p>\n\n\n\n

Born, Georgina. \u201cFor a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn.\u201d Journal of the Royal Musical Association<\/em> 135, no. 2 (2010): 205\u201343.<\/p>\n\n\n\n

Bonta, Stephen. \u201cFrom Violone to Violoncello: A Question of Strings?\u201d Journal of the American Musical Instrument Society<\/em> 3 (1977): 64\u201399.<\/p>\n\n\n\n

\u2014\u2014\u2014. \u201cTerminology for the Bass Violin in Seventeenth Century Italy.\u201d Journal of the American Musical Instrument Society <\/em>4 (1978): 1\u201334.<\/p>\n\n\n\n

\u2014\u2014\u2014. \u201cThe Use of Instruments in Sacred Music in Italy 1560-1700.\u201d Early Music<\/em> 18, no. 4 (Nov. 1990): 519\u201325, 527\u201330, 533\u201335.<\/p>\n\n\n\n

Bowles, Edmund A. \u201cNineteenth-Century Innovations Used in the Construction of the Timpani.\u201d Journal of the American Musical Instrument Society<\/em> 5\u20136 (1980), 74\u2013143.<\/p>\n\n\n\n

Boyden, David D. The History of Violin Playing from its Origins to 1761 and its Relationship to the Violin and Violin Music<\/em>. London: Oxford University Press, 1965.<\/p>\n\n\n\n

\u2014\u2014\u2014. \u201cMonteverdi\u2019s Violini Piccolo all Francese and Viole da brazzo.\u201d 1959. Annales Musicologiques: Moyen-Age et Renaissance<\/em>. Tome IV. 387\u2013401. Neuilly-Sur-Siene: Societ\u00e9 de Musique d\u2019Autrefois, 1963.<\/p>\n\n\n\n

Brewer, John and Roy Porter. Consumption and the World of Goods. <\/em>New York: Routledge, 1993.<\/p>\n\n\n\n

Brown, Clifford M. and Anna Maria Lorenzoni. Isabella d\u2019Este and Lorenzo da Pavia: Documents for the History of Art and Culture in Renaissance Mantua<\/em>. Geneva: Librarie Droz, 1982.<\/p>\n\n\n\n

Bucur, Voichita. Handbook of Materials for String Instruments<\/em>. New York: Springer International Publishing, 2016.<\/p>\n\n\n\n

\u2014\u2014\u2014. Handbook of Materials for Wind Musical Instruments<\/em>. New York: Springer International Publishing, 2019.<\/p>\n\n\n\n

Carter, Stewart. \u201cGeorges Kastner on Brass Instruments: The Influence of Technology on the Theory of Orchestration.\u201d In Perspectives in Brass Scholarship: Proceedings of the International Historic Brass Symposium, Amherst,<\/em> edited by Stewart Carter, 171\u201392. Hillsdale, NY: Pendragon Press, 1995.<\/p>\n\n\n\n

\u2014\u2014\u2014. The Trombone in the Renaissance: A History in Pictures and Documents<\/em>. Hillsdale: Pendragon Press, 2012.<\/p>\n\n\n\n

Christmann, Corinna A., Thomas Lachmann, and Stefan Berti. \u201cEarlier Timbre Processing of Instrumental Tones Compared to Equally Complex Spectrally Rotated Sounds as Revealed by the Mismatch Negativity.\u201d Neuroscience Letters<\/em> 581 (2014): 115\u201319.<\/p>\n\n\n\n

Christensen, Lars. \u201cImag(in)ing Musical Instruments: Prescriptive Iconography in the Northern Song Dynasty.\u201d Music in Art\u202f: International Journal for Music Iconography<\/em> 43, no. 1-2 (2018): 101-112.<\/p>\n\n\n\n

Clarke, Eric and Nicholas Cook, eds. Empirical Musicology: Aims, Methods, Prospects<\/em>. Oxford: Oxford University Press, 2004.<\/p>\n\n\n\n

Cole, Michael. The Pianoforte in the Classical Era<\/em>. Oxford: Clarendon, 1998.<\/p>\n\n\n\n

Crisinel, Anne-Sylvie., and Charles Spence. \u201cAs Bitter as a Trombone: Synesthetic Correspondences in Nonsynesthetes Between Tastes\/Flavors and Musical Notes.\u201d Attention, Perception, & Psychophysics<\/em> 72 (2010): 1994\u20132002.<\/p>\n\n\n\n

Dawe, Kevin. \u201cPeople, Objects, Meaning: Recent Work on the Study and Collection of Musical Instruments.\u201d The Galpin Society <\/em>54 (2001): 219\u201332.<\/p>\n\n\n\n

Dennis, Flora. \u201cOrganology and Material Culture.\u201d Journal of the American Musical Instrument Society<\/em> 44 (2018): 18\u201325.<\/p>\n\n\n\n

DeVale, Sue Carole. \u201cMusical Instruments and Ritual: A Systematic Approach.\u201d Journal of the American Musical Instrument Society<\/em> 5 (1988): 89\u2013123.<\/p>\n\n\n\n

De Visscher, Eric. \u201cMuseums as Theater: What about Musical Instruments?\u201d Journal of the American Musical Instrument Society<\/em> 44 (2018): 26\u201332.<\/p>\n\n\n\n

Disley, Alastair C., and David M. Howard. \u201cSpectral Correlates of Timbral Semantics Relating to the Pipe Organ.\u201d Speech, Music, and Hearing<\/em> 46 (2004): 25\u201340. <\/p>\n\n\n\n

Dolan, Emily I. The Orchestral Revolution: Haydn and the Technologies of Timbre<\/em>. Cambridge: Cambridge University Press, 2013.<\/p>\n\n\n\n

\u2014\u2014\u2014. \u201cSeeing Instruments.\u201d Journal of the American Musical Instrument Society<\/em> 44 (2018): 33\u201340.<\/p>\n\n\n\n

\u2014\u2014\u2014. \u201cToward a Musicology of Interfaces.\u201d Keyboard Perspectives<\/em> 5 (2012): 1\u201313.<\/p>\n\n\n\n

Dolan, Emily I. and Alexander Rehding. The Oxford Handbook of Timbre<\/em>. Oxford: Oxford University Press, 2021.<\/p>\n\n\n\n

Duffin, Ross W., ed. A Performer\u2019s Guide to Medieval Music<\/em>. Bloomington: Indiana University Press, 2000.<\/p>\n\n\n\n

Eidsheim, Nina Sun. \u201cMaria Callas\u2019s Waistline and the Organology of Voice.\u201d Opera Quarterly<\/em> 33, no. 3\u20134 (Summer\u2013Autumn 2017): 249\u201368.<\/p>\n\n\n\n

Elie, Benjamin, Fran\u00e7ois Gautier, F., and Bertrand David. \u201cAcoustic Signature of Violins Based on Bridge Transfer Mobility Measurements.\u201d Journal of the Acoustical Society of America<\/em> 136, no. 3 (2014): 1385\u201393.<\/p>\n\n\n\n

Fales, Cornelia. \u201cThe Paradox of Timbre.\u201d Ethnomusicology<\/em> 46, no. 1 (Winter 2002): 56\u201395.<\/p>\n\n\n\n

Fink, Robert, Melinda Latour, and Zachary Wallmark, eds. The Relentless Pursuit of Tone: Timbre in Popular Music<\/em>. Oxford: Oxford University Press, 2018.<\/p>\n\n\n\n

Fl\u00fcckiger, Matthias, Tobias Grosshauser, and Gerhard Tr\u00f6ster. \u201cEvaluation of Piano Key Vibrations Among Different Acoustic Pianos and Relevance to Vibration Sensation.\u201d IEEE Transactions on Haptics<\/em> 11, no. 2 (Apr.\u2013Jun. 2018): 212\u201319.<\/p>\n\n\n\n

Fr\u00e9our, Vincent, Fran\u00e7ois Gautier, Bertrand David, and Marthe Curtit. \u201cExtraction and Analysis of Body-Induced Partials of Guitar Tones.\u201d Journal of the Acoustical Society of America<\/em> 138, no. 6 (2015): 3930\u201340.<\/p>\n\n\n\n

Fritz, Claudia, Allen F. Blackwell, Ian Cross, Jim Woodhouse, and Brian C. J. Moore. (2012a). \u201cExploring Violin Sound Quality: Investigating English Timbre Descriptors and Correlating Resynthesized Acoustical Modifications with Perceptual Properties.\u201d  Journal of the Acoustical Society of America<\/em> 131, no. 1 (2012): 783\u201394.<\/p>\n\n\n\n

Fritz, Claudia, Joseph Curtin, Jacwues Poitevineau, Palmer Morrel-Samuels, and Fan-Chia Tao. \u201cPlayer Preferences among New and Old Violins.\u201d Proceedings of the National Academy of Sciences of the United States of America <\/em>109, no. 3 (Jan. 17, 2012): 760\u201363.<\/p>\n\n\n\n

Fritz, Claudia, Joseph Curtin, Jacwues Poitevineau, Hugues Borsarello, Indiana Wollman, Fan-Chia Tao, and Thierry Ghasarossian. \u201cSoloist Evaluations of Six Old Italian and Six New Violins.\u201d Proceedings of the National Academy of Sciences of the United States of America <\/em>111, no. 20 (May 20, 2014): 7224\u201329.<\/p>\n\n\n\n

Furniss, Ingrid Maren. \u201cWenren Strumming the Ruan: The Chinese Elite\u2019s Assimilation of a Foreign Lute.\u201d Imagio Musicae: International Yearbook of Musical Iconography<\/em> 30 (2018): 7\u201337.<\/p>\n\n\n\n

Gaddy, Kristina R. Well of Souls: Uncovering the Banjo\u2019s Hidden History.<\/em> New York: W.W. Norton & Company, Inc., 2022.<\/p>\n\n\n\n

Gordon, Bonnie. \u201cIt\u2019s Not About the Cut: The Castrato\u2019s Instrumentalized Song.\u201d New Literary Journal<\/em> 46, no. 4 (Autumn 2015): 647\u201367.<\/p>\n\n\n\n

Griffiths, John. \u201cEarly Vihuelas: Iconography, Organology, Theory, and Practice.\u201d Musique\u2013Images\u2013Instruments: M\u00e9langes En L\u2019honneur de Florence G\u00e9treau<\/em>, Series: Music and visual cultures, 5 (2019): 213\u201320.<\/p>\n\n\n\n

Greene, Paul D. and Thomas Porcello, eds. Wired for Sound<\/em>. Middletown: Wesleyan University Press, 2005.<\/p>\n\n\n\n

Hayes, Gerald R. Musical Instruments and Their Music, 1500\u20131750<\/em>. Vol. 2, The Viols and other Bowed Instruments<\/em>. London: Oxford University Press, 1930.<\/p>\n\n\n\n

Haynes, Bruce. A History of Performing Pitch: The Story of \u201cA.\u201d<\/em> Lanham: Scarecrow Press, 2002.<\/p>\n\n\n\n

Hermes, Kirsten, Tim Brookes, and Chris Hummersone. \u201cThe Harmonic Centroid as a Predictor of String Instrument Timbral Clarity.\u201d In Proceedings of the Audio Engineering Society 140th Convention<\/em>, paper 9557. Paris: 2016.<\/p>\n\n\n\n

Hicks, Dan, and Mary Beaudry, eds. The Oxford Handbook of Material Culture Studies<\/em>. Oxford: Oxford University Press, 2010.<\/p>\n\n\n\n

Hill, Matthew. \u201cGeorge Breed and His Electrified Guitar of 1890.\u201d Galpin Society Journal <\/em>61 (April 2008): 193\u2013203.<\/p>\n\n\n\n

Holman, Peter. Four and Twenty Fiddlers: The Violin at the English Court 1540\u20131690.<\/em> Oxford: Clarendon, 1993.<\/p>\n\n\n\n

\u2014\u2014\u2014. Life After Death: The Viola da Gamba in Britain from Purcell to Dolmetsch. <\/em>Woodbridge, UK: Boydell & Brewer, 2010.<\/p>\n\n\n\n

Howell, Mark. \u201cAn Organology of the Americas as Painted by John White and Other Artists.\u201d Flower world: Music Archaeology of the Americas\/Mundo florido: Arqueomusicolog\u00eda de las Am\u00e9ricas<\/em> 1 (2012): 155\u201369. <\/p>\n\n\n\n

Hutchins, Carleen Maley, ed. Research Papers in Violin Acoustics 1975\u20131993<\/em>. 2 vols. Woodbury: Acoustical Society of America, 1997.<\/p>\n\n\n\n

Irving, David R. M. \u201cHistoricizing Performance Practice: Early Music through Time and Space.\u201d  Early Music<\/em> 41 (2013): 83\u201385.<\/p>\n\n\n\n

Jacobson, Marion. Squeeze This: A Cultural History of the Accordion in America<\/em>. Urbana: University of Illinois Press, 2012.<\/p>\n\n\n\n

Jiang, Wei, Jingyu Liu, Xiaoyi Zhang, Shuang Wang, and Yujian Jiang. \u201cAnalysis and Modeling of Timbre Perception Features in Musical Sounds.\u201d Applied Sciences<\/em> 10, no. 3 (2020): 789.<\/p>\n\n\n\n

Johnson, Henry. \u201cAn Ethnomusicology of Musical Instruments.\u201d Journal of the Anthropological Society of Oxford<\/em> 26, No. 3 (1995): 257\u201369.<\/p>\n\n\n\n

Katz, Mark. \u201cThe Great War, the Little String, and the Transformation of Modern Violin Playing.\u201d Journal of the American Musicological Society<\/em> 77, no. 1 (2024): 65\u2013101.<\/p>\n\n\n\n

Kenyon, Nicholas, ed. Authenticity and Early Music: A Symposium<\/em>. Oxford: Oxford University Press, 1988.<\/p>\n\n\n\n

Kirsch, Sebastian. \u201cComputed Tomography as a Tool for Archiving Ethnomusicological Objects.\u201d In Computational Phonogram Archiving<\/em>, edited by Rolf Bader, 157\u201370. Current Research in Systematic Musicology 5. New York: Springer International Publishing, 2019.<\/p>\n\n\n\n

Kirsch, Sebastian and David Mannes. \u201cX-Ray CT and Neutron Imaging for Musical Instruments: A Comparative Study.\u201d In Wooden Musical Instruments: Different Forms of Knowledge<\/em>, edited by Marco A. Perez and Emanuele Marconi, 329\u201340. Paris: WoodMusICK, 2018.<\/p>\n\n\n\n

Klaus, Sabine. Trumpets and other High Brass<\/em>. 3 vols. Vermillion: National Music Museum, 2017.<\/p>\n\n\n\n

\u2014\u2014\u2014. \u201cMore Thoughts on the Discipline of Organology.\u201d Historic Brass Society Journal <\/em>14 (2002), 1\u201310.<\/p>\n\n\n\n

Knight, Roderic C. \u201cA New Look at Classification and Terminology for Musical Instruments.\u201d The Galpin Society Journal<\/em> 69 (2016): 5\u201322.<\/p>\n\n\n\n

Kolyada, Yelena. A Compendium of Musical Instruments and Instrumental Terminology in the Bible<\/em>. Translated by Yelena Kolyada and David J. Clark. London: Equinox, 2009.<\/p>\n\n\n\n

Kopp, James B. The Bassoon<\/em>. New Haven: Yale University, 2012.<\/p>\n\n\n\n

Koster, John. \u201cA View from the Trenches.\u201d Journal of the American Musical Instrument Society<\/em> 44 (2018): 52\u201363.<\/p>\n\n\n\n

\u2014\u2014\u2014. \u201cCathedrals, Cabinetmaking, and Clavichords.\u201d Clavichord International<\/em> 4, no. 1 (May 2000): 6\u201313; no. 2 (November 2000): 40\u201347; and 5, no. 1 (May 2001): 6\u201313.<\/p>\n\n\n\n

\u2014\u2014\u2014. \u201cThe Clavichord in the Netherlands before Henric Arentss van Zwolle,\u201d Clavichord International <\/em>12, no. 1 (May 2008): 6\u201319.<\/p>\n\n\n\n

\u2014\u2014\u2014. \u201cThe Compass as a Musical Tool and Symbol.\u201d Musique-Images-Instruments<\/em> 5 (2003): 10\u201331.<\/p>\n\n\n\n

\u2014\u2014\u2014. \u201cThe Virginal by Hans Bos, Antwerp, 1578, at the Royal Monastery of Santa Clara, Tordeillas.\u201d In M\u00fasica de tecla en los monaterios femeninos de Espa\u00f1a, Portugal y las Am\u00e9ricas<\/em>, edited by Luisa Morales, 67\u201389. Garrucha: Associci\u00f3n Cultural LEAL, 2001.<\/p>\n\n\n\n

Kubler, George. The Shape of Time: Remarks on the History of Things<\/em>. New Haven: Yale University Press, 1962.<\/p>\n\n\n\n

Lawargren, Bo. \u201cMusic on Japanese Raig\u00f5 Images 700-1700 and Chinese Influences.\u201d In Medieval Sacred Chant: From Japan to Portugal\/Canto Sacro Medieval: Do Jap\u0101o a Portugal<\/em>, edited by Manuel Pedro Ferreira, 45\u201389. Estudos Musicol\u00f3gicos 5. Lisbon: Edi\u00e7\u00f5es Colibri; Centro de Estudoes de Sociologia e Est\u00e9tica Musical; Universidade Nova de Lisboa, 2008.<\/p>\n\n\n\n

Le Cerf, Georges and Edmond-Ren\u00e9 Labande, eds., Instruments de musique du xve si\u00e8cle: les trait\u00e9s d’Henri-Arnault de Zwolle et de divers anonymes<\/em>. Paris: \u00c9ditions Auguste Picard, 1932.<\/p>\n\n\n\n

LeDuc, Matthew F. \u201cInput Impedance of Sheng Pipes Augmented with Resonators.\u201d The Journal of the Acoustical Society of America<\/em> 138 (2015): 1935.<\/p>\n\n\n\n

Le Guin, Elisabeth. Boccherini\u2019s Body: An Essay in Carnal Musicology. <\/em>Berkeley: University of California Press, 2005.<\/p>\n\n\n\n

Leppert, Richard. Music and Image: Domesticity, Ideology and Socio-cultural Formation in Eighteenth-century England. <\/em>Cambridge: Cambridge University Press, 1988.<\/p>\n\n\n\n

\u2014\u2014\u2014. The Sight of Sound: Music Representation and the History of the Body. <\/em>Berkeley: University of California Press, 1995.<\/p>\n\n\n\n

Levin, Theodore and Valentina S\u00fcz\u00fckei. \u201cTimbre-Centered Listening in the Soundscape of Tuva.\u201d In The Oxford Handbook of Timbre,<\/em> edited by Emily I. Dolan and Alexander Rehding. Oxford: Oxford University Press, 2018.<\/p>\n\n\n\n

Libin, Laurence. \u201cLiterature as an Adjunct to Organology.\u201d In Music Cultures in Sounds, Words and Images: Essays in Honor of Zdravko Bla\u017eekovi\u0107<\/em>, 679\u2013702, edited by Antonio Baldassarre and Tatjana Markovi\u0107. Vienna: Hollitzer Verlag, 2018.<\/p>\n\n\n\n

\u2014\u2014\u2014. \u201cOrganology and the Others: A Response.\u201d Journal of the American Musical Instrument Society<\/em> 44 (2018): 64\u201375.<\/p>\n\n\n\n

\u2014\u2014\u2014. \u201cProgress, Adaptation, and the Evolution of Musical Instruments.\u201d Journal of the American Musical Instrument Society<\/em> 26 (2000): 187\u2013213.<\/p>\n\n\n\n

Lindley, Mark. Lutes, Viols and Temperaments<\/em>. Cambridge: Cambridge University Press, 1984.<\/p>\n\n\n\n

Lowenthal, David. The Past is a Foreign Country<\/em>. Cambridge: Cambridge University Press, 1985.<\/p>\n\n\n\n

Milnes, John ed. Musical Instruments in the Ashmolean Museum: The Complete Collection<\/em>. Oxford: Oxford Musical Instruments Publishing, 2011.<\/p>\n\n\n\n

Moseley, Roger. \u201cDigital Analogies: The Keyboard as Field of Musical Play.\u201d Journal of the American Musicological Society<\/em> 68, no. 1 (Spring 2015): 151\u2013228.<\/p>\n\n\n\n

Myers, Herbert W. \u201cWhen Is a Violino Not a Viola da braccio.\u201d The Galpin Society Journal<\/em> 53 (Apr., 2000): 335\u201339.<\/p>\n\n\n\n

\u2014\u2014\u2014. \u201cZacconi\u2019s Viola da braccio Tunings.\u201d The Galpin Society Journal<\/em> 51 (Jul., 1998): 244\u201347.<\/p>\n\n\n\n

Nyk\u00e4nen, A., and Johansson, O. \u201cDevelopment of a Language for Specifying Saxophone Timbre.\u201d In Proceedings of the 3rd Stockholm Music Acoustics Conference (SMAC 03)<\/em>, 647\u201350. Stockholm: 2003.<\/p>\n\n\n\n

Obata, Satoshi, and Hiroshi Kinoshita. \u201cChin Force in Violin Playing.\u201d European Journal of Applied Physiology<\/em> 112 (2012): 2085\u201395.<\/p>\n\n\n\n

O\u2019Brien, Grant. Ruckers: A Harpsichord and Virginal Building Tradition<\/em>. Cambridge: Cambridge University Press, 1990.<\/p>\n\n\n\n

Oleskiewicz, Mary. \u201cThe Flutes of Quantz: Their Construction and Performing Practice.\u201d Galpin Society Journal<\/em> 52 (2000): 201\u201320.<\/p>\n\n\n\n

\u2014\u2014\u2014. \u201cThe Hole Truth and Nothing But the Truth: The Resolution of a Problem in Flute Iconography.\u201d Early Music<\/em> 29 (2001): 56\u201359.<\/p>\n\n\n\n

\u2014\u2014\u2014.  \u201cA Museum, a World War, and a Rediscovery: Flutes by Quantz and Others from the Hohenzollern Museum.\u201d Journal of the American Musical Instrument Society<\/em> 24 (1998): 107\u201345.<\/p>\n\n\n\n

\u2014\u2014\u2014. \u201cThe Rise of Italian Chamber Music.\u201d In The World of Baroque Music: New Perspectives<\/em>, ed. George B. Stauffer, 48\u201350. Bloomington: Indiana University Press, 2006.<\/p>\n\n\n\n

Orden, Kate van. \u201cDescartes on Musical Training and the Body.\u201d In Music, Sensation, and<\/em><\/p>\n\n\n\n

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If you would like us to add a title to the bibliography, please submit it through the form at the bottom of the page. Abbate, Carolyn. \u201cSound Object Lessons.\u201d Journal of the American Musicological Society 69, no. 3 (2016): 793\u2013829. Adelson, Robert. Erard: A Passion for the Piano (Oxford: Oxford University Press, 2021). \u2014\u2014\u2014. Erard: […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"nf_dc_page":"","footnotes":""},"class_list":["post-70","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.organology.ams-net.org\/index.php?rest_route=\/wp\/v2\/pages\/70","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.organology.ams-net.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.organology.ams-net.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.organology.ams-net.org\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.organology.ams-net.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=70"}],"version-history":[{"count":5,"href":"https:\/\/www.organology.ams-net.org\/index.php?rest_route=\/wp\/v2\/pages\/70\/revisions"}],"predecessor-version":[{"id":279,"href":"https:\/\/www.organology.ams-net.org\/index.php?rest_route=\/wp\/v2\/pages\/70\/revisions\/279"}],"wp:attachment":[{"href":"https:\/\/www.organology.ams-net.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=70"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}